I just read: The Steel Seraglio

steel_seraglio   ‘The Steel Seraglio,’ by Mike, Linda, and Louise Carey (a dad, mom, and daughter team), is a wonderful epic story about women changing the world from unlikely origins—a medieval Arabian harem.

Considering its setting, it’s not surprising that the story works in elements of 1,001 Arabian Nights, with storytelling as a strong theme. But the first section of the book is more of a twist on the myth of ‘Lysistrata.’ In ‘Lysistrata,’ the women of Greece go on a sex strike to force their men from going to war. In ‘The Steel Seraglio,’ the protagonists go the opposite way, overindulging the bellicose Sultan (with sex, flattery,  white lies, and any other feminine wile they can muster) to soothe him into not pursuing wars. As a result, the seraglio (another word for  stealthily presides over the most prosperous and enlightened sultanate in the land.

Unfortunately, this ‘Pax Romantica’ is finally shattered by a truly frightening villain in Hakkim Mehdad. Hakkim is a religious extremist who believes all of Earthly existence should be a grinding, joyless slog to achieve perfection in the afterlife. He’s also got a unique origin story and a truly creepy secret totem that he keeps with him.

The protagonists are a savage exile, surrounded by men who see them as objects of gratification or political pawns to be slaughtered. But they work their way through each hardship with wisdom and cunning. These courtesans aren’t just sexpots playing dumb; they’re savvy, talented women.

65_edc02steelseraglioremnimitmalaviaAll except one among them, who wields a sharp knife better than a sharp wit. I won’t give that woman’s name, because it would spoil her sudden introduction to the story. But let’s just say she is the land’s only professional female assassin, and she finds herself throwing in with the Seraglio. Soon she is recruited as the group’s reluctant (and refreshingly gruff) tactician. There are other standouts: the wise and aging matriarch, the snobbish and brilliant diplomat, and the librarian who was granted powers to see the future.

Lastly, there’s the slain Sultan’s last living heir, Jamal. Jamal starts the book as a young, inconsequential prince—far back in the line of succession—so he is both spoiled and essentially ignored. When the Seraglio helps him survive the slaughter of all his brothers and half-brothers, a new world of possibilities opens up for Jamal in exile. But will he choose to follow those possibilities toward good, or toward evil? Jamal has the the strongest character arc in the book. He’s written as a character who is hard to like, but easy to empathize with.

Steel Seraglio also features evocative illustrations by Nimit Malavia.

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Series Condition: Tokyo Ghost

I’m updating this post from June to note the Tokyo Ghost finale.

I’ve heard a lot of great things about the comics writer, Rick Remember. Nearly every one of his Image series has sounded cool enough to hook me in for at least the first issue. Unfortunately, Black Science, Deadly Class, and Low all felt too nihilistic, too ‘hair-trigger’ for me. Lots of bouts of sudden violence; lots of main characters or innocent bystanders being killed off. They were cool books, with great ideas and art, but I had difficulty finding something enjoyable or sympathetic to grab onto, something to make me hang on for the ride.

tg00That’s not the case with the thundering tank-cycle that is Tokyo Ghost. So far, I’m totally hooked for the ride.

Tokyo Ghost
Writer: Rick Remender

Artist: Sean Murphy
10 issues
Years: 2015 to 2016
Publisher: Image Comics

If anything, Tokyo Ghost should be the Remender book that I most hate, because it might be his most misanthropic premise. Here’s the description from Comixology: The Isles of Los Angeles 2089: Humanity is addicted to technology, a population of unemployed leisure seekers blissfully distracted from toxic contamination, who borrow, steal, and kill to buy their next digital fix. Getting a virtual buzz is the only thing left to live for. It’s the biggest industry, the only industry, the drug everyone needs, and gangsters run it all.

tg01To establish the setting, Remender presents us with a ton of carnage and depressing scenarios. Also, a couple of truly ruthless and depraved bad guys, including a kazillionaire (a Donald Trump stand-in) who’s so debauched, he spends most of his business hours Donald-Ducking it. (Word of warning: If you don’t like doodles of men’s diddles, or other bits of nudity and bad language, then this might not be the comic for you.)

Again and again, the book goes over-the-top to show you just how this potential future is nearly-completely awful. I think one of the things that pulled me through this section of the book was that the future Earth in my ‘Idyll’ novel has some similar things going on (i.e., crowds of people who are emotionally and physically reliant on indulgent technology).

Then we go to the Garden Nation of Tokyo, which is the one place on the planet that is off-the-grid. In my mind that’s when the story really gets good. We learn more about our two main characters, one of whom is finally forced to disconnect from the tech that has consumed him.

tg02bThe story is always moving, with something at the end of each issue that breaks the status quo established by the issue before it. Then in issue 5, Remender really pulls the rug out from under our heroes, just when they’re at their happiest point.

Besides Remender’s twisty plot, the other HUGE draw is Sean Murphy’s art. He has a new, fun, ‘scratchy’ kinetic style, (I like Otto Schmidt and Sanford Greene, too).  Murphy’s delicate scratchy lines manage to be both dynamic and meticulously rendered. His art is like the beautiful love-child of Bill Sienkiewicz and Alex Nino. Every other page, I had to stop reading and zoom in on my iPad to enjoy a rendering of a Zen Garden, or a kinetic kick, or just a reflection in water.

By Issue 6, the story has turned dark and nihilistic again, but I’m imagining that Remender has more surprises up his sleeve. I’d like to see more of Tokyo’s Samurai Shangri-La as opposed to being stuck in just another Cyberpunk Dystopia. Here’s hoping the story goes to more beautiful locations, to complement Murphy’s stunning art.tg03

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Update:

Issue #10, which came out in September of 2016, marked the end of the series. Murphy is moving over to DC Comics to work on ‘All-Star Batman.’ That should be pretty cool. It would’ve been interesting to see where ‘Tokyo Ghost’ might have gone, if it had stayed an ongoing series, but the story had a natural conclusion to it at the Issue-10 mark. Actually, it probably could’ve wrapped up by Issue 9. The plot seemed to tread water in issues 7-9. Perhaps the creators were trying to work out whether they should end the series or not. Also, the latter issues were pretty damn bloody and nihilistic, so a bit of the antithesis of what I liked about the first few issues.

I did like the finale, partly because it went into that sci-fi idea of just giving up on the physical world, uploading your brain into virtual reality, and living there forever. Idyll Book 3 deals with that idea, somewhat. Also, I don’t know if I’ve ever read a genre book that’s dealt so heavily with the theme of co-dependence. That’s the primary (internal) struggle that Debbie faces in the last issue: Does she have the strength to make a break for her independence? Should she want to?

So, next steps for me: Keep an eye out for Murphy’s ‘All-Star Batman.’ And I might check out Remender’s ‘Deadly Class.’

I just read: The Fireman

screen-shot-2016-09-23-at-11-02-42-pmLet me start by saying that I loved Joe Hill’s book Horns. It was definitely in my top-five books for the year that I read it (2013? 2014?). It was the perfect horror novel, with all the right tropes and a few good twists and deviations in plot structure. Any time a horror/paranormal novel clocks in at over 400 pages, I expect it to be a bit too sprawling. I think the best spooky novels are oftentimes fairly short-and-sweet. But Horns had just that right amount of ‘sprawl’ to it. It bounced back and forth through some classic coming-of-age flashbacks; established a good mystery with some solid red-herrings; established a great, unique villain; and set up the reader for some devastatingly heartbreaking moments. Awesome.

On the other hand, Hill’s latest horror novel, The Fireman, left me with mixed emotions. It’s over 700 pages long, so I can definitely say it felt too long. There’s a lot of stuff stuffed into this book. (OK, not my most well-crafted sentence.) A plague, a near-apocalyptic setting, a psycho ex, escaped convicts, a ghost, a potential psychic, sci-fi exposition involving brain chemistry, a religious cult, a murder mystery, two or three secondary mysteries, a budding romance, car chases and gun fights, whew!

Here’s the basic premise (which definitely drew me in): humanity is being decimated by a plague of spontaneous combustion. The plague is caused by a fungal spore called Dragonscale. The Dragonscale grows on skin in glittering black patterns, like tattoos, but those pretty tattoo patterns can burst into flame when the infected feel stressed. The story follows a recently infected (and recently impregnated) nurse named Harper Grayson.

In the first act of the novel, we follow Harper, seeing the beginnings of the outbreak through her eyes. Hill establishes another great villain in Harper’s husband. He starts off seeming fairly nice, but quickly we see how self-centered, misogynistic, and brittle he can be, especially once Harper becomes infected. Harper makes like Julia Roberts in Sleeping With the Enemy, and we’re off to ‘Act Two!’

This is where the story became too bloated, in my mind. Harper falls in with a tight-knit community of Dragonscalers who have found a way to tame their infection—to stave off a fiery death. I wanted to skim through parts of this section, which introduced over a dozen characters. Too benign, too boring. Too many corny references to Mary Poppins, 80’s music, and MTV VJ Martha Quinn (Martha Quinn?!? Really?) But of course this is Hill building up a sense of complacency. Just as Harper’s husband revealed his dark side, eventually her new friends show their ugly sides.

My favorite part of this section is Hill’s sci-fi explanations of how the spore interacts with the minds of its hosts, how it has a biological imperative to punish stress and to encourage a harmonious ‘group-think.’ Hill relates this to oxytocin, which is a real-life hormone, and a pretty scary concept in its own right.

The Dragonscalers are being hunted by ‘Cremation Squads,’ who want to end the contamination with a holocaust of their own. So Hill sets up a interesting conflict where we get to see both sides of a mob mentality. The Cremation Squad are xenophobes (violently rejecting outsiders), and yet the people who are supposedly on Harper’s side are too prone to cultishness (tightly controlling insiders).

I love books where close-knit or desperate communities devolve into totalitarianism. The Beach, Lord of the Flies (sort of), Walking Dead, even Watership Down (which is mentioned a few times in this novel). But once again, there’s maybe a few too many scenes, and few too many story elements, and there are points where it seemed like the plot might collapse under its own weight.

I think part of the reason I felt restless was because I expected the xenophobes vs. zealots storyline to play out and climax at the very end of the book. So when I was about 80% through the book, I was thinking, ‘Whoa, I have a long way to go before all this stuff is resolved.’ But no, Hill surprised me by changing the status quo earlier than expected.

I won’t talk too much about ‘Act Three’ to avoid spoilers, but I will say I enjoyed it. I could definitely understand why some people might find it slow, or a bit anticlimactic, but I appreciated the change in structure, as a sort of thoughtful, hopeful denouement. Also, I truly didn’t see the last twist coming, and I liked that part very much.

So, overall, I think I’m finding that I like the book more than I thought I did. Just one last comment: Hill tries that trope of taking a fairly banal lyric or rhyme and framing it in a horror context so that it comes off as creepy or bad-ass. But I’m sorry… there’s nothing creepy or bad-ass about Mary Poppins quotes. ‘Spoonful of sugar.’ ‘Chim-chim-cher-ee.’ Ugh. It just reminds me of being forced to watch 60s Disney movies on the last day of school. Although there is a scene that used the Christmas carol, ‘Old Come All Ye Faithful,’ and that scene was very creepy.

I just read: Sleeping Giants

sleepinggiantsThe description for Sleeping Giants reminded me of Stephen King’s Tommyknockers. To me, that’s a very good thing, because Tommyknockers starts with one of my favorite high-concept openers ever: Woman finds a strange piece of metal stuck in the ground, starts digging, and digging, and digging, and eventually realizes it’s the lip of a gigantic, buried flying saucer.

In Sleeping Giants, it’s a young girl who stumbles upon a huge piece of long-buried alien technology. In this case, she finds a hand. But where’s the rest of the metallic body? It’s up to a shadowy government conspiracy to find it. The girl grows up and joins the shadowy government conspiracy, and soon her and her team are on a globe-spanning quest to find the pieces of their Giant (not unlike G.I.Joe searching for fragments of the Weather Dominator).

Overall, this novel has a fun ‘popcorn’ type feel to it, so a comparison to an afternoon cartoon feels very apt. I was also reminded of the movie ‘Pacific Rim.’ A giant robot? Check! Alien threat? Well, you’ll have to read the book to find the answer to that. But mainly I was reminded of Pacific Rim in the way that the Sleeping Giant is designed to be driven.

The feature of this novel that really helps it stand apart is the way it’s constructed in a sort of ‘found footage’ way. Most of the story is told through transcripts of interviews or communiques, or through descriptions of satellite footage, etc. I suspect some readers will love this type of storytelling, and others will hate it. It does make you work harder to understand what’s going on, and to keep track of characters. In fact, reading ‘Sleeping Giants’ is a bit like putting together your own mysterious puzzle. But this also creates a distance between the reader and the characters. Sometimes the author cheats with this technique to give us more of a perspective into the heroes’ personal lives, and some of these attempts are a bit cringe-worthy. For instance, in at least two separate occasions, agents are being interviewed by their superior and they end up describing sexual encounters with their coworkers.

I never felt fully immersed in a scene, although I was fine with that because I enjoyed the ‘piecing together’ aspect of the reading experience. I’m sure I’ve read other books that are primarily told by letters or transcripts, but I’m pretty sure they didn’t include a huge, drivable robot in them!

The story also takes some very unexpected, whip-fast turns, which was cool. My main beef would be that the ending is a bit anticlimactic—and it’s obvious that the author is setting up a bigger conclusion in Book 2, ‘Waking Gods,’ which doesn’t come out till April 2017. Wakey, wakey! I’m ready to see how the story ends.

Decatur Book Festival 2016

Decatur Book Festival BookzillaI scoped out the Decatur Book Festival for a little while on Saturday and listened to a handful of indie authors do the unthinkable… Speak in public!

Check ’em out:

Roger Newman (Suspense Thriller starring a OB/GYN mystery solver)
Michel Le Gribble-Dates (Yoga and storytelling for kids)
Katelyne Parker (Fiction, Hosanna)
James Marshall Smith (Suspense Thriller written by a Radiation expert at the CDC)
Dawn Loetscher (Memoir, Survivin’ the Hand Life Dealt)
Dell Johnson (‘Poetry and Other Muses’)
Bernard Lee, Jr  (‘A Look Back In Time: Memoir of a Military Kid in the Fifties’)

Lots of cool genres and types of literature on display at the DBF. If you’re in the Atlanta area (possibly nursing a Dragon*Con hangover?) you should go check it out!

“The Wilds and FREE” eBook Giveaway

Wilds_FREE_Promo_CoverTo celebrate the release of StoryBundle’s Weird Western compilation—and IDYLL’s inclusion in that amazing set—I’m now offering a free eBook copy of Book 2 of the Idyll Trilogy (THE WILDS) to anyone who signs up for my email newsletter.

All you have to do is email me at jderrywriter@gmail.com and let me know what eBook format you prefer (MOBI or ePub), and I’ll send it over to you!

So If you’ve just finished reading IDYLL (or you’re considering reading it), I’d love to hear from you and to send you a free copy of THE WILDS. I hope you’ll enjoy finding out what’s next for the Starboards and the Bridges. Here’s a hint: It involves a whole planet’s worth of trouble!

In return, I’ll send you eblasts (never more that biweekly) with updates and concept sketches for the Idyll Trilogy, plus news on my next SFF series. You’ll be the first to get info on the upcoming Book 3 of the trilogy (I’m about halfway through the rough draft) and the first to hear about other deals as well.

This giveaway expires on September 10th, so don’t forget that old bit of settler wisdom: “Quick is merciful!”

Don’t wait, sign up now!

Brand NEW! The Weird Western StoryBundle

So proud to be part of the Weird Western StoryBundle, launching today!

Boy Eating

Here’s the low-down from the Bundle’s curator, Blair MacGregor:

Welcome to our Weird Western Bundle, where wide frontiers, flintlocks, whiskey and revenge meet swords, airships, terraforming, magic, myths, and dragons. You’ll find stories here set in the snows of old Alaska and the heat of contemporary Arizona, post-Civil War San Francisco and post-colonization planets, and places the seem as familiar as any wooded mountain or wind-swept desert… until tigers and dragons and horses that are so much more than you might assume burst into the scene. The different aspects of the Weird Western spirit in this bundle will give fans of the genre something they haven’t seen before, and folks new to Weird Westerns a wide sampling of its fantastic offerings.

I was raised on a combination of SFF and Westerns. Star Trek and Gunsmoke, Asimov and L’Amour, Lonesome Dove and Battlestar Galactica. I was just as thrilled to shake the hand of Hugh O’Brian of Wyatt Earp fame as I was to meet Katherine Kurtz, author of the Deryni world. It’s been a joy discovering more writers combining the genres, raising their unique voices, and upsetting the familiar with the fantastic. The result is a Western setting that respects history and the people who created it while spinning in unique powers, esoteric challenges, and the terrifying magic of discovery.

You’ll learn the secrets behind the post-quarantined expanse of ranchland in James Derry’s Idyll, and the reasons the man of Joe Bailey’s Spellslinger is ready to make a stand. There’s the subterfuge and wild ride of Gemma Files’s Book of Tongues, and the smart, snappy adventure of Lindsay Buroker’s Flash Gold novellas

Dangerous wonders and determined enemies fill J. Patrick Allen’s West of Pale, and Steve White’s New Worldbrings chainmail and strange powers to the frontier. Kyra Halland puts rogue magery and danger in a dusty Western town in Beneath the Canyons, and Kenneth Mark Hoover gives us a time-wandering lawman in Haxan.

And I’m thrilled to share the debut of Judith Tarr’s first novel of a new series, Dragons in the Earth, set in present-day Arizona, and filled with horses and dragons and the power of the desert itself.

StoryBundle let’s you choose your own price, so you decide how you’d like to support these awesome writers and their work. For $5—or more if you’d like—you’ll receive the basic bundle of four great novels in DRM-free ebook format. For the bonus price of at least $14—or more if you’d like—you’ll receive all nine novels. If you choose, a portion of your payment will go toward supporting Mighty Writers and Girls Write Now.

The Weird Western Bundle is available for only three weeks. It’s a great opportunity to pick up the stories of nine wonderful writers, support independent authors who want to twist your assumptions about the West, and discover new writers with great stories along the way.

The initial titles in The Weird Western Bundle (minimum $5 to purchase) are:
•    Haxan by Kenneth Mark Hoover
•    Dead West Vol 1.: West of Pale by J Patrick Allen
•    Idyll by James Derry
•    Spellsinger by Joseph J. Bailey

If you pay more than the bonus price of just $14, you get all four of the regular titles, plus five more:
•    Hexslinger Vol. 1: A Book of Tongues by Gemma Files
•    Horses of the Moon Vol. 1: Dragons in the Earth by Judith Tarr
•    Daughter of the Wildings Book. 1: Beneath the Canyons by Kyra Halland
•    The Flash Gold Chronicles I-III by Lindsay Buroker
•    New World Book 2: Hair of the Bear by Steven W. White

And as special thanks to our newsletter subscribers, all of you who subscribe get New World by Steven W. White for free! Grab the free first book in the New World series before you start on book 2, Hair of the Bear, found in the bundle.

This bundle is available only for a limited time via http://www.storybundle.com. It allows easy reading on computers, smartphones, and tablets as well as Kindle and other ereaders via file transfer, email, and other methods. You get multiple DRM-free formats (.epub and .mobi) for all books!

It’s also super easy to give the gift of reading with StoryBundle, thanks to our gift cards – which allow you to send someone a code that they can redeem for any future StoryBundle bundle – and timed delivery, which allows you to control exactly when your recipient will get the gift of StoryBundle.

  • Why StoryBundle? Here are just a few benefits StoryBundle provides.
    Get quality reads: We’ve chosen works from excellent authors to bundle together in one convenient package.
  • Pay what you want (minimum $5): You decide how much these fantastic books are worth to you. If you can only spare a little, that’s fine! You’ll still get access to a batch of exceptional titles.
  • Support authors who support DRM-free books: StoryBundle is a platform for authors to get exposure for their works, both for the titles featured in the bundle and for the rest of their catalog. Supporting authors who let you read their books on any device you want—restriction free—will show everyone there’s nothing wrong with ditching DRM.
  • Give to worthy causes: Bundle buyers have a chance to donate a portion of their proceeds to Mighty Writers and Girls Write Now!
  • Receive extra books: If you beat the bonus price, you’ll get the bonus books!

StoryBundle was created to give a platform for independent authors to showcase their work, and a source of quality titles for thirsty readers. StoryBundle works with authors to create bundles of ebooks that can be purchased by readers at their desired price. Before starting StoryBundle, Founder Jason Chen covered technology and software as an editor for Gizmodo.com and Lifehacker.com.

For more information, visit our website at storybundle.com, tweet us at @storybundle and like us on Facebook.

 

 

Game of Thrones: Learning to Hope

(Spoiler alert, level yellow! If you haven’t seen it Season 6 of Game of Thrones, the ramblings below may be mildly spoilerish.)

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All around me, people are rejoicing. On Twitter feeds, and at Monday lunch-breaks… “Go Starks!” “Yay Khaleesi!” “GoT #woohoo!”

If there’s one exclamation I never thought I would associate with Game of Thrones, ‘Woo-hoo’ might be it. What sound would I most associate with GoT? Probably a sharp intake of breath through clenched teeth. You see, up until this season, my first purview into the doings on Westerns came directly through George R.R. Martin’s ‘Song of Ice and Fire’ novels.

For me and millions of other fans, those five novels—those roughly 6,000 pages—have been an exercise in train-wreck spectacle and exquisitely postponed gratification. In all of those 6,000 pages, there’s been what?—maybe three pump-your-fist moments?

But now book fans have ran out of SOIAF books to read, just as producers of the HBO series have run out of plots to follow. Has the TV show faltered, now that the show-runners have to continue the stories on their own? No. If anything TV show has tightened up, quickened its pace, and embraced a fresh, new action-oriented tone. GoT’s Season 6 has shed off some meandering and unsatisfying plot-lines like a working-girl shedding clothes in Littlefinger’s brothel. And the show-runners are killing off the series’ most despised, and most plotting-obstructing characters. Troublesome characters are dropping like… like… well, like good guys in the first five seasons of the show.

Every Sunday night I’ve been watching these new episodes with my arms crossed and a Scroogish scowl on my face. Beside me, my wife hoots and cheers. She loves this new turn in tone. My general reaction has been ‘Everything is too easy.’

Before this season, I enjoyed the HBO adaption mostly because it reminded me of other HBO classics. The Sopranos and The Wire were byzantine pot-boilers—slow-moving and meticulous. They were absolutely brilliant shows with plenty of ‘water cooler moments’ between them, but I don’t think anyone would ever call them ‘crowd-pleasers.’ So I was disgruntled that the GoT TV show had transitioned so unabashedly into crowd-pleasing mode.

Then came the Battle of the Bastards. Good grief. Has there ever been a better-directed, better-directed 60 minutes on television? Forget Emmys. That episode deserves Oscars! Then that episode was followed up by the equally excellent season finale, and I realized: Why am I not opening my heart to this new way of (literally) enjoying these great characters and the thrilling world they live in? Our heroes are actually accomplishing things. They are actually on the move. And everything is spinning up to a huge 3-or 4 front climactic confrontation of Near-Evil vs. Pure-Evil. That’s thorny enough for me. Grab the popcorn, I’m there. And then there’s always the promise that ASOIAF Book 6 book will be here (eventually) to reward the most patient and masochistic fans of the books.

My only hope is the show-runners won’t forget that the Red Wedding is still the series’ most memorable, most quintessential moment. The ‘Game’ can’t end satisfactorily, unless it breaks our hearts, at least a few more times. Here’s hoping they kill off one or two of the characters we all love. And I hope they do it in the most unexpected, most unwarranted way possible.

(And, whomever it is, I hope they keep it permanent this time).

Another one of my GoT articles: Best Actor in a Suppurating Role

 

Series Condition: Tokyo Ghost

I’ve heard a lot of great things about the comics writer, Rick Remember. Nearly every one of his Image series has sounded cool enough to hook me in for at least the first issue. Unfortunately, Black Science, Deadly Class, and Low all felt too nihilistic, too ‘hair-trigger’ for me. Lots of bouts of sudden violence; lots of main characters or innocent bystanders being killed off. They were cool books, with great ideas and art, but I had difficulty finding something enjoyable or sympathetic to grab onto, something to make me hang on for the ride.

tg00That’s not the case with the thundering tank-cycle that is Tokyo Ghost. So far, I’m totally hooked for the ride.

Tokyo Ghost
Writer: Rick Remender

Artist: Sean Murphy
7 issues (so far)
Years: 2015 to now
Publisher: Image Comics

If anything, Tokyo Ghost should be the Remender book that I most hate, because it might be his most misanthropic premise. Here’s the description from Comixology: The Isles of Los Angeles 2089: Humanity is addicted to technology, a population of unemployed leisure seekers blissfully distracted from toxic contamination, who borrow, steal, and kill to buy their next digital fix. Getting a virtual buzz is the only thing left to live for. It’s the biggest industry, the only industry, the drug everyone needs, and gangsters run it all.

tg01To establish the setting, Remender presents us with a ton of carnage and depressing scenarios. Also, a couple of truly ruthless and depraved bad guys, including a kazillionaire (a Donald Trump stand-in) who’s so debauched, he spends most of his business hours Donald-Ducking it. (Word of warning: If you don’t like doodles of men’s diddles, or other bits of nudity and bad language, then this might not be the comic for you.)

Again and again, the book goes over-the-top to show you just how this potential future is nearly-completely awful. I think one of the things that pulled me through this section of the book was that the future Earth in my ‘Idyll’ novel has some similar things going on (i.e., crowds of people who are emotionally and physically reliant on indulgent technology).

Then we go to the Garden Nation of Tokyo, which is the one place on the planet that is off-the-grid. In my mind that’s when the story really gets good. We learn more about our two main characters, one of whom is finally forced to disconnect from the tech that has consumed him.

tg02bThe story is always moving, with something at the end of each issue that breaks the status quo established by the issue before it. Then in issue 5, Remender really pulls the rug out from under our heroes, just when they’re at their happiest point.

Besides Remender’s twisty plot, the other HUGE draw is Sean Murphy’s art. He has a new, fun, ‘scratchy’ kinetic style, (I like Otto Schmidt and Sanford Greene, too).  Murphy’s delicate scratchy lines manage to be both dynamic and meticulously rendered. His art is like the beautiful love-child of Bill Sienkiewicz and Alex Nino. Every other page, I had to stop reading and zoom in on my iPad to enjoy a rendering of a Zen Garden, or a kinetic kick, or just a reflection in water.

By Issue 6, the story has turned dark and nihilistic again, but I’m imagining that Remender has more surprises up his sleeve. I’d like to see more of Tokyo’s Samurai Shangri-La as opposed to being stuck in just another Cyberpunk Dystopia. Here’s hoping the story goes to more beautiful locations, to complement Murphy’s stunning art.tg03

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I just read: We Are All Completely Fine

weareallcompletelyfineFrom Dracula to NOS4A2, from The Exorcist to Friday the 13th, a lot of plots in the Horror genre follow a well-trodden path. A person (or group of people) are targeted by a mysterious and malicious force. The protagonist(s) pass through a phase of disbelief and/or denial, Then they suffer through an increasingly awful series of circumstances that force them to come to grips with the unthinkable. Oftentimes, this is where a savior or advocate figure enters the story. In the final climax, the protagonist(s) face their fear, and they either triumph or they fail.

I have to admit that my own Horror/Paranormal novel, Line of Descent, follows this structure. And I’m sure that most genres (Romance, Mystery, Fantasy) have dozen of examples of great stories that follow the same conventional, comfortable story-beats. Still it’s always refreshing when an author breaks the mold.

That’s just what Daryl Gregory does with ‘We’re All Completely Fine.’ Gregory creates a unique slant on Horror convention by introducing a simple and brilliant premise. ‘What if the characters who survived some of these typical Horror stories came together to form a support-group?’

As we meet the clients in Gregory’s therapy sessions, we pretty much don’t need to know their full stories—although Gregory drops in some skin-crawlingly creepy details. There’s Stan, who survived your typical back-woods cannibal scenario. And Barbara, who was tortured by a sadistic madman. And Harrison, the former teenage monster-detective who helped to foil a demon apocalypse. (If you’re interested in learning more about Harrison’s YA-ish exploits, you can read about them in Gregory’s latest novel, Harrison Squared, which I reviewed here before I realized it was a prequel.)

To say that each of these characters is a short-hand representation of a horror cliche would be selling them—well—short. The ways that Stan and Barbara deal with their post-trauma lives are truly memorable and deeply human. Gregory is the type of author who comes up with ideas that make you say ‘Whoa! I never saw that coming!’ and then moments later, ‘Of course that’s what would happen!’ And this story is no different. And, of course, as we learn more about each group-member’s scarred life, we learn that the incidents that have ruined their lives are all connected in sinister and serendipitous ways.

I really enjoyed this book, and for most of it, I really couldn’t predict what would happen in the next chapter. I recommend it for any fan of the genre.